October 20, 2022

New EL MAC prints: 'Totlazonantzin'

New print release this Friday, October 21st. Purchase at http://elmac.art

Sale opens Friday @10am PST
Print details:
Signed, titled, and numbered by the artist.
Hand-pulled screenprints made with Andres Zavala in Boyle Heights, California. Serigraphs printed using five colors, with a few thin layers of clear ink over some of the linework.
Editions I-V printed on soft, acid-free, 100% cotton, 300 gsm, German-made Hahnemühle paper.
(Editions VI + VII printed on colored Italian-made Magnani paper)
21in x 27in paper size
(18.5in x 23.5in printed area)

There are seven different color editions of this print:

edition of 40
orange and turquoise

"Totlazonantzin II":
edition of 34

"Totlazonantzin III":
edition of 23
purple and blue

"Totlazonantzin IV":
edition of 19
grayscale (inverted)

"Totlazonantzin V":
edition of 12
dark blue and peach (inverted)

"Totlazonantzin VI":
edition of 12
orange, light turquoise and indigo
printed on cream paper

"Totlazonantzin VII":
edition of 12
all blue tones
printed on light blue paper

Artist's statement about the work:

Totlazonantzin translates to "our beloved mother" in Nahuatl, and can be seen in the Nican Mopohua ("Here It Is Told"), the first recorded account of the appearance of Our Lady of Guadalupe, written in the mid-1500s and first published in 1649.
In my own experience growing up in the southwestern US, the image of Our Lady of Guadalupe was very familiar and seemingly ever-present. She could be seen at home and in the homes of friends, inside churches and on the outside of liquor stores, sometimes accompanied by tough-looking Old English letters or flowery script on clothing, blankets, lowriders, etc. One of my favorite t-shirts I wore in the late '90s had an image of Our Lady carrying an injured or dying cholo underneath the phrase "mi vida está en tus manos(my life is in your hands)". Almost a century earlier she'd adorned the banners of Zapata's revolutionary peasant armies, and a century before that was on Hidalgo's banners fighting for independence from Spain. In the words of Octavio Paz, she is "the consolation of the poor, the shield of the weak, the help of the oppressed". The icon of La Guadalupana can represent, among other things, the idea of a celestial and loving maternal figure, a comforting presence both human and cosmic, natural and supernatural. As a feminine counterbalance to the patriarchal emphasis of much of Western religion, she is our heavenly Mother, la Madre del Cielo.
I think of the depth of the love between myself and my own mom, and the love between my son and his mama, and I see the imagery of Nuestra Madre/Our Mother as carrying some sense of that kind of love. As an artist I do believe that 'beauty will save the world', and there's great beauty and poetry in this enduring, popular celebration of divine motherhood. I painted this humble interpretation of the iconic image with reverence and sincerity, and a desire for it to transmit some of the love that went into it and the motherly love it symbolizes.

February 21, 2022

New EL MAC prints: 'All Shall Be Well'

New print release this Wednesday, February 23rd. Purchase at http://elmac.net
Sale opens Wednesday @10am PST

Print details:
"All Shall Be Well"
Signed, titled, and numbered by the artist.
Hand-pulled screenprints made with Andres Zavala in Boyle Heights, California. Serigraphs printed using four colors, with four thin layers of clear ink over the darkest linework.
Printed on acid-free, 100% cotton, 320 gsm, USA-made Coventry Rag paper.
27in x 22in paper size 
(24in x 19in printed area)

There are four different color editions of this print:

"All Shall Be Well"
edition of 27
red over cream

"All Shall Be Well II"
edition of 26
dark red over light red

"All Shall Be Well III"
edition of 26
dark grey over light grey

"All Shall Be Well IV"
edition of 25
dark blue over light blue

Artist's statement about the work:

"The title of these prints, All Shall Be Well, comes from English mystic and theologian Julian of Norwich, who at the age of thirty in May of 1373 had a series of visions while seriously ill and seemingly close to death that she took to be revelations from God. After recovering she wrote about the experience, while devoting the rest of her life to spiritual contemplation as an anchoress willingly confined to a small room adjoined to a church, and providing spiritual counsel to the public from that room through a small window. Her text, Revelations of Divine Love, is the earliest known writing in English by a woman.

This book includes a number of celestial reassurances that 'all shall be well' through an all-encompassing and everlasting universal love. Some of these parts could sound like cheerful platitudes if taken out of context, but it's important to consider that Julian lived through a violent time of wars and suffering, when over a third of Europe's population died from the plague. So things were far from being well back then, but this remarkable theologian and mystic sought to share her profound conviction that there is a force of love surrounding us greater than any suffering and despair, that love is the meaning of life, and through this love, all shall be well. 

I hope that in some small way my art, and recollection of this message, might also carry a little bit of that love.

'And thus our good Lord answered all the questions and doubts I could put forward, saying most comfortingly, ‘I may make all things well, I can make all things well and I will make all things well and I shall make all things well; and you shall see for yourself that all manner of things shall be well.’

-Julian of Norwich(1343-1416)

Revelations of Divine Love, chapter 31(long text)"

April 21, 2021

New EL MAC prints: 'Rebirth'

New print release this Saturday, April 24th. Purchase info will be posted that day at http://elmac.net

Print details:
Signed, titled, and numbered by the artist.
Hand-pulled screenprints made with master printer Tony Clough at Serio Press in Pasadena, California. Serigraphs printed using two to three colors with five thin layers of clear ink over the linework.
Printed on acid-free, 100% cotton, 330 gsm, Italian-made Revere paper.
39in x 32in paper size (plus natural deckled edge along bottom)
(36in x 28.5in printed area)

There are four different color editions of this print:

edition of 43
split-fountain blend of two shades of dark red over bright vermilion red

"Rebirth II":
edition of 16
black over cream

"Rebirth III"
edition of 16
black over grey

"Rebirth IV":
edition of 12
split fountain blend of two shades of medium red over cream

Artist's statement about the work:
This image is adapted from a large acrylic brushwork on wood panel painting that I worked on at various times from 2013 until 2019, progressing slowly line by line, pattern by pattern. 
When I began the painting it was sort of a symbolist meditation on trauma, and the feeling of being overwhelmed by the misery and pain of this world. A phrase from Erich Fromm stayed with me as I worked on it—"One cannot be deeply responsive to the world without being saddened very often". I worked on the painting periodically over the course of time in between other paintings and murals, while our family saw illnesses, weddings, deaths, and, around the time of this painting's completion, a birth. The feeling behind the image had transformed into something a little bit more hopeful, and eventually Fromm's line was replaced in my mind by another, from John Berger— "And so to find an exit from the darkness". The initial exploration here of the fetal position as a protective response to trauma then came to also be about healing, and of the potential for new beginnings and brighter futures. I put a tremendous amount of care, love, and time towards trying to make this image beautiful, and I hope that might help transmit some sense of rebirth and renewal.

April 15, 2021

New EL MAC mural with AISE BORN in Ohio: "AXIS MUNDI"

This mural is a collaboration with my friend Jacori "AISE BORN" Perry, commissioned for the exterior of the Akron Civic Theatre, painted last year in Akron, Ohio. It was in the works for more than a year, part of a larger downtown revitalization project that includes a number of public art commissions from both local and national artists.
Aise and I visited Akron for a week last July to get a feel for the area, and although limited by Covid restrictions we also photographed people there as possible subjects for the mural. During that first visit we learned of the city's decline from its manufacturing heyday, but were also struck by its vitality, and the diversity and warmth of the people we met. We were also impressed by lushness of the surrounding nature, with all the giant trees, water, and greenery everywhere. (We even found ourselves experiencing some childlike excitement about seeing fireflies for the first time—so much so they were included as a motif in the background.) We visited local parks, churches, museums, cemeteries, and landmarks such as the John Brown House, all in search of inspiration and a sense of the local history and culture. Aise and myself, having both become fathers fairly recently, felt that imagery celebrating youthful purity and potential would be appropriate for this setting. We photographed a number of people, including a now four year-old girl named Laila that we randomly came across as she was with her parents playing with sticks and rocks at a local park. She ended up being the model for the figure of the girl in this mural, while the boy on the right side was modeled after my own toddler son, Max.
This mural's title, 'Axis Mundi', is an ancient Latin term for “axis of the world”—a point where heaven and earth meet. Akron is named after the Greek word for “summit” as it is located at a slightly higher elevation than surrounding areas. The mural is roughly eight stories high, and situated a couple stories directly over the Ohio & Erie Canal, a massive engineering work from the early 1800s that connected Akron with Lake Erie. Nearly the entire mural is suspended high above flowing water, in an impressive public space unlike any I've ever painted before. 
We began painting in late September and worked day and night on the mural for about two months. I was excited and proud to involve and collaborate with my younger crewmate AISE on this—I think this is some of the best public work he's had the opportunity to create so far. During a year characterized by division and fear, of COVID-19 social isolation and racial injustice protests, this mural project was a chance for us to create something positive and beautiful, something that hopefully conveys friendship, mutuality, and youthful innocence. It really felt like we were doing something special and important, channeling a little bit of celestial divinity onto this old brick wall in Ohio. Of course it's impossible to make public art that everyone will connect with or appreciate, but I know we put a massive amount of love and soul into this work and it's bound to retain and transmit at least some of that. I hope that this mural of these two children at play with the cosmos might offer some lasting light, hope, and inspiration.

Many thanks to everyone who helped make this project possible—my wife and son, AISE and his family, Howard Parr and the team at the Akron Civic Theatre, special thanks to Rick and Alita Rogers, extra thanks to Liz Gage, Courtney Cable, Curated Storefront, my brother HOXXOH, Louis Jensen, Matt Jennings, The Akron Civic Theatre Board of Trustees and the 'Staging The Future' capital campaign committee, the Akron Community Foundation, the Knight Foundation, the GAR Foundation, Laila, Monte Vales and Andrea Smith, as well as all the other families who allowed us to photograph them, LAND Studio, Janus Small, Mike Screwes, The Urban League, John Fiume, January Paint & Wallpaper, Mac Love, Beers, Mustard Seed Market, and all the other people of Akron and Ohio who showed support or kindness.